Tuesday, May 3, 2016

EXP 2 – SUBMISSION



WEEK THREE



ELECTROLIQUID AGGREGATION – FINAL CONCEPT



1. INTERSECTING SPATIAL RELATIONSHIPS 

+ 

2. FORM GENERATED TO FIT SITUATION

=

SEAMLESS INTEGRATION BETWEEN STRUCTURE AND SURROUNDS


Through combining the two initial concepts, the principle of having uninterrupted transitions between spaces surrounding the stop was produced. This includes the connection of platform to street, the university and the greater urban fabric but also the connection between the light rail vehicle and the platform. The predominant intention is focused on providing users a commuting experience that is smooth and pacifying. The fluidity in moving around the platform serves to illustrate the incorporated theme of technology as it draws attention to the sleekness and efficiency of the public transport system.

The aggregation was developed through the idea of tension between adjoining spaces, which is common in both initial concepts. In the first concept, the word 'intersecting' evokes a sense of a junction between spaces and this relates to the light rail stop in that the platform is the intersection for multiple circulation pathways. Spaces are merged into one larger space by having them intersect. As a result, tension is eased as circulation between spaces becomes unbroken and flowing. This is a vital part of the design's functional value.

In the second, the form is generated in response to the site and so the form reflects the space around it. By extension, the adjacent space must reflect qualities of the form as well. This leads to an interdependent relationship between form and fabric which blend to create a homogenous volume of both structure and space. 

Therefore the final design has to blur spatial boundaries by fitting seamlessly into its setting both visually & physically – in form – and functionally – allowing ease of accessibility through clearly defined circulation routes. The resulting station is a transparent medium through which staff, students and visitors move in and around, that reflects the overarching technological themes of efficiency, modernity and compatibility.


CUSTOM TEXTURES – LIGHT TO DARK

36 textural experiments to represent the gradient from light to dark











































TEXTURES USED


LIGHT 





THIS WAS USED TO REPRESENT A GRATE SEPARATING THE EDGE OF THE PLATFORM AND MAIN WAITING AREA. I BESIDES THE GEOMETRIC SIMILARITY TO MESH, THE TEXTURE SHOWS INTERSECTING AREAS AND I WANTED TO CARRY THIS CONNOTATION ACROSS TO THE DESIGN


MEDIUM







THIS WAS PUT ON THE FLESH-LIKE ROOF, MADE FROM METALLIC MESH. I FOUND THAT WITH THE SKETCHUP SURFACE AND THE WAY THE 2D GRAPHIC BEHAVED ON THE CURVILINEAR FORM GAVE AN EFFECT THAT ACCENTUATED THE FLOWING FORM AND HELPED TO CREATE TENSION IN THE CONTRAST MADE WITH OTHER ELEMENTS LIKE THE FLOOR PLANE, VERTICAL COLUMNS AND RECESSED PLATFORM EDGE.


DARK 







I USED THIS TEXTURE ON THE EDGE OF THE PLATFORM. THE TEXTURE HAS A FUNCTIONAL AESTHETIC AND THIS WAS DESIRABLE TO HAVE ON THE AREA THAT CONNECTS PASSENGERS AND TRANSPORT, THE PRIMARY FUNCTION OF THE STATION. ITS TONE ALSO HIGHLIGHTED THE EDGE OF THE PLATFORM AND CAUTION LINE TO ASSIST THE SEAMLESS EXPERIENCE OF USERS.


LUMION FINAL RENDERING


https://drive.google.com/open?id=0B5e0gGhCWQWNVEx3aXQ2R25DWXM 



BLENDING FORM WITH FABRIC




INTERACTION WITH SURROUNDING ENVIRONMENT – SHADOWS FROM TREES PLAYS ON WALKWAY AND CEILING. EXHIBITION OF CUSTOM TEXTURES TOGETHER






NIGHT-TIME RENDERING – LIGHTING ILLUMINATES ABOVE AND BELOW PLANES OF PLATFORM TO GIVE THE ILLUSION OF A FLOATING SPACE BETWEEN THE RAIL CARRIAGE AND STREET LEVEL






GEOMETRY IN PLAN AND RELATION TO NEARBY STRUCTURES







ASPECT SHOWING CIRCULATION ROUTE FROM UNIVERSITY MAIN PATH – LIGHT RAIL VEHICLE IS BROUGHT UNDER ROOF, COMBINING CARRIAGE AND PLATFORM SPACES AND INTEGRATING THEM INTO THE WIDER AREA



EXP 2 – AMALGAMATION

WEEK TWO
COMBINING CONCEPTS



“Why still speak of the real and the virtual, the material and immaterial? Here these categories are not in opposition, or in some metaphysical disagreement, but more in an electroliquid aggregation, enforcing each other, as in a two part adhesive.”

Lars Spuybroek


COMBINATION OF RECTILINEAR FORMS TO REPRESENT AN 'ELECTROLIQUID AGGREGATION' 


The quote above explores the notion that although we tend to consider opposites in a binary fashion – as being incomparable – they exist bounded as a product of their polarity. In representing something through abstraction, two differing ideas can combine to produce a unique fusion of not only physical response but also conceptual interplay.





               

ORGANIC MOTION CREATED    +    CULTURAL TRANSLATION OF AESTHETIC


                                                                                                                               


       


                    CHALLENGES DISPARITY BETWEEN PERCEIVED OPPOSITES  + 

 GEOMETRY AS A TOOL FOR SPATIAL ORGANISATION

    


                                                                                                                               


           


   FORM GENERATED TO FIT SITUATION + INTERSECTING SPATIAL RELATIONSHIPS 


                                                                                                                               



INTERACTING CURVILINEAR AND RECTILINEAR FORMS IN AGGREGATION



   
  
                                                                                                                               


       
  
                                                                                                                               


  



LUMION 









EXP 2 – CONCEPT


WEEK ONE 

CONCEPTS


CASE STUDY OF ARCHITECTS AND INTERPRETATION OF CONCEPTS IN EACH OF THEIR PRACTICES


RUDOLPH SCHINDLER


1. GEOMETRY AS A TOOL FOR SPATIAL ORGANISATION

Schindler used overlapping shapes to layout plans for his buildings

2. ENDURING QUALITIES

The seemingly enlarged scale, monumentality and monolithic nature characterised the exterior of his buildings 

3. INTERSECTING SPATIAL RELATIONSHIPS

Schindler seemed to have spaces converge and link at frequent junctions throughout his architecture 

4. CROSS-CULTURAL TRANSLATION OF AN AESTHETIC

Schindler was inspired by design and aesthetic elements of traditional Japanese architecture, which he later adapted and appropriated into his California-based practice

5. ARCHITECTURE TRANSCENDS CULTURAL BOUNDS AND UNIFIES WITHIN COMMON HUMAN EXPERIENCE

His architecture, having combined globally separate architectural conventions, symbolises the inherent relationship between architecture & design and humanity, in that the building serves as a universal tool of function, inspiration and beauty



AMANDA LEVETE


1. STRUCTURAL OPTIMISATION 

Most of the visible structural features appear bespoke and sculptural leading to the idea that structure is form 

2. BLURRING OF SPATIAL BOUNDARIES

Lack of sharp edges, corners, singular planes as well as vertical structures creates a transparency in spatial limits and ambiguity in distinction between spaces

3. SITUATION AS GENERATOR OF BUILT FORM

Form reflects the surrounding environment and responds to it through visual interplay


4. CHALLENGES DISPARITY BETWEEN PERCEIVED OPPOSITES

Juxtaposition between natural, flowing shape and refined materials, the often neighbouring highly-developed urban fabric and sensuousness of her form, tension between elements adjacent to each other and within one element diffuses preconceived, Boolean relationships 


5. SENSE OF ORGANIC MOTION CREATED

Seamlessness about the flow of spaces and solid material within Levete's architecture that gives her buildings living qualities due to their apparent mimicking of organic features



5 RECTANGLES TO REPRESENT A CONCEPT






CROSS-CULTURAL TRANSLATION OF AN AESTHETIC







SITUATION AS GENERATOR OF BUILT FORM







SENSE OF ORGANIC MOTION CREATED







INTERSECTING SPATIAL RELATIONSHIPS






GEOMETRY AS A TOOL FOR SPATIAL ORGANISATION





CHALLENGES DISPARITY BETWEEN PERCEIVED OPPOSITES




SKETCHUP TO LUMION


INTERSECTING SPATIAL RELATIONSHIPS








Wednesday, April 13, 2016

EXP 1 SUBMISSION





EXP 1 SUBMISSION


SECTION



CIRCULATION



TEXTURAL ASPECTS








SECTION DRAWINGS













Tuesday, April 12, 2016

EXP 1 - INTEGRATING SCHEMES


WK 3:
RENDERING



CUSTOM TEXTURES

TOP LEVEL - GIVENCHY
BOTTOM LEVEL - JEFF WRIGHT




























SOURCES OF INSPIRATION

http://www.designboom.com/architecture/yoshiaki-yamashita-garage-terrace-house-kyoto-japan-04-08-2016/

http://www.designboom.com/architecture/mima-light-mima-lab-modular-prefabricated-housing-03-21-2016/?player=video

http://www.designboom.com/architecture/ramon-esteve-estudio-casa-sardinera-house-alicante-03-12-2015/?player=video